Last Wednesday was results day at Sussex, when third year undergraduate finalists get their marks and degree outcomes. Usually it is a day fill with anticipation, joy and relief (and sometimes disappointment), food and conversations – a day of conviviality to celebrate student achievements. This year there was of course none of that, at least not on campus, although I know that some of our students had socially-distant celebrations on Brighton beach. This time of the year is also an important one for my project, as between the end of term and results day I conduct student journey interviews with finalists. These interviews are an important part of the research for this book, which I want to write about today.
Creative Universities is a creative, performative project that bring together various theories, disciplines and activities to make the possibilities of social science teaching contributing to students imagining alternative futures more present, credible and viable in the HE classroom. As I wrote when I set up the blog, I got the inspiration for this book from my own 15 years of teaching experiences in the field of Global Development and Anthropology in Berkeley, Auckland and now Sussex. Over the last three years, I have conducted systematic research, consisting of interviews with staff and students, in-class observations and action-research inspired experimentation in my own classroom. All of these methods inform the teaching activities that I describe in my chapters.
One such activity was the Designing Back from the Future exercise in my urban futures module. Other examples from this module include students writing an urban manifesto for how to make Brighton a more livable city and mapping campus infrastructures in a form of outdoor learning about ecological issues. Being able to use my own classroom as an experimental space has been incredibly insightful as I can observe students’ engagement in and reactions to the activities, often followed up by a short survey and longer interviews with a few students, together with my own thoughts and feelings. (In-class research raises a number of ethical issue: the ethics approval for my research covered things such as informed consent and confidentiality, while none of my activities I included in the book were assessed).
I also conducted observations in some of my colleagues’ classrooms. The most memorable was a term of observing students designing and playing serious games to learn experientially and creatively about climate change related risk and uncertainty. There are dozens of climate change related games, many of them online, and they are increasingly used to teach students of all ages about the climate crisis. What was remarkable about the Sussex class was that students designed their own games and then played them with each other. I will write more about this soon, but as a novice to the use of games as an educational method, it was an eye-opening experience to observe students embracing an activity that was new for many of them and creating an amazing variety of games. I also sat in on a module where students learn practical and hands-on skills about development projects. I had planned to do more observations this spring, which unfortunately did not happen. Alongside these observations I conducted interviews with colleagues where they shared their activities with me. Throughout these interviews I have been inspired by the pedagogical passion of my fellow educators, who are embodying the academic subjectivities I wrote here. Conversations with them have also strengthened my confidence that a critical-creative pedagogy can help students imagine and create alternative ways of addressing current challenges, something we call teaching critical hope. And that brings me back to the students, whose voices, stories and experiences are central to my research.
In the journey interviews with students at the end of their degree, I ask them about their overall experiences studying International Development and related social sciences at Sussex. I ask how their views of global development and bringing about change more generally might have changed from when they started uni, often as enthusiastic but by their own admissions sometimes naive and idealistic young people wanting to change the world. They talk about how they have become more knowledgeable, critical and aware, but sometimes also a bit less hopeful, more cynical and disillusioned (hence the need for my book). They talk about particular modules they liked and found transformative. I also ask them to describe their studies in three words, which brings many surprising answers (I am working on the word cloud right now). Questions about how creative their teaching has been and how it could be made more so are particularly instructive, showing students’ desire to bring their own ideas, experiences and skills into the classroom and to apply their learning to practical situations. I thank all the students who have participated in my research over the years.
Especially this year, with all the upheaval caused by strikes and COVID, I have been amazed by the positive attitude of the students I talked to and their ability to still enjoy their learning amidst disruption, uncertainty and worry. I am therefore especially excited that a few of them, such as Ruthie Walters, have agreed to write guest posts, starting to fulfill a vision I had from the beginning for this blog to be a meeting place for like-minded educational travelers to exchange ideas. The first post by Ruthie focuses on the intersection of academic and activism, and the second, by Cristina Cano, explores the productive tensions of double degrees. In the third post, Lydia Bennett-Li is reflecting on how a year-long placement in India shaped her post-university journey in unexpected ways. In the final post, Kendra Quinn uses her experience of an Arts Foundation year before coming to Sussex to reflect on the challenges of making social science teaching more creative. I hope that you will enjoy these posts by the students as much as I do.